
Your humble and lovable underdog will be back after the holiday weekend. A gracious and grand Thanksgiving to you and yours.--Joseph

Although Sklenicka exhibits something like awe for Carver the writer, and clearly understands the warping influence alcohol had on his life, she is almost nonjudgmental when it comes to Carver the nasty drunk and ungrateful (not to mention sometimes dangerous) husband. She quotes the novelist Diane Smith (“Letters From Yellowstone”) as saying, “That was a bad generation of men,” and pretty much leaves it at that.And?
The politics, sex, class of the author are all-important while the book at hand is simply an excuse to discuss, say, the anti-Semitism of Pound, the homosexuality of Whitman, the social climbing of James. Since the American character is especially tendentious and sectarian, the American critic must decide in advance whether or not the writer he is writing about is a Good Person; that is, one who accepts implicitly all the going superstitions (a.k.a values [sic]) of the middle class of the day. If the writer is a Good Person, then what he writes is apt to be good. If he is a Bad Person, forget it.I have forgotten Stephen King long ago. Lish nearly, though he still seems to grate. I still peek at Carver---only peek, I say---and Mailer too. But mostly, I stick with biographies, not reviewers of them.
5. "A Simple Christmas" Mike Huckabee (Sentinel)
6. "SuperFreakonomics: Global Cooling, Patriotic Prostitutes, and Why Suicide Bombers Should Buy Life Insurance" by Steven D. Levitt, Stephen J. Dubner (William Morrow)
